In the late 1980s, a change in Russian traditions would begin to take place. As taboos regarding sexual exploration were increasingly challenged, the younger generation began to change the structure of a traditional family. We know from previous posts that a standard, ideal family was predominantly nuclear in composition with many children and perhaps some […]Read More The Disolution of Family
The World Youth Festival is, “an event of global youth solidarity for democracy and against war and imperialism” created with the intention, “to bring together young people of both the socialist and capitalist countries to promote peaceful cooperation and mutual rejection of war.” It indeed makes a great deal of sense that in the newfound […]Read More Power in Peace: The International Youth Festival
On this March 6th, a radio announcer begins, “Dearest Comrades and friends.” He begins knowing that the lives of all those who listened were about to be changed forever. And those poets who listened would somehow know their art could never be the same. The relationship between the Soviet citizens and Stalin is one of […]Read More Evtushenko: The Part The Poet Played.
Imagine you were born in an era where loyalty to the state was more important than one’s loyalty to their family. Imagine if any word you spoke carried with it the burden of danger, potential incrimination. This is the era from which the young Soviet martyr’s story emerged. Pavliv Morozov was a thirteen-year-old boy who […]Read More The Heroic Myth of Pavlik Morozov
Born in an era of shortage and turmoil was a revolutionary peasantry, for when once they were well fed, now they lack even their bread. Due to the breakout of the first World War, the economy of the Russian Empire began to falter. Cut off from imports on which the country to heavily relied brought Russia […]Read More Like Bread, They Rise.
Sergei Mikhailovich Prokudin-Gorskii. Three Generations, 1910. Digital color rendering. Prints and Photographs Division, Library of Congress, LC-DIG-ppmsc-03952 (24) This photograph at first appears simple. After all, it merely depicts three generations of a Russian family. “A. P. Kalganov poses with his son and granddaughter for a portrait in the industrial town of Zlatoust in the Ural Mountain […]Read More The Generation Gap: The Visualization of Western Influence